document.write('\x3cmeta http-equiv=\x22x-dns-prefetch-control\x22 content=\x22off\x22/\x3e\x3col class=\x22tumblr_posts\x22\x3e\x0a \x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_photo_post\x22\x3e\x0a \x3cimg src=\x22http://29.media.tumblr.com/tumblr_ksy93ilNrn1qzlfa4o1_400.jpg\x22 alt=\x22Cliche Clocks: Altered Speed Analog Clocks\x0a2008. Personal Project.\x0aFor this project, the movement speeds of three analog clocks were modified to express cliches people frequently use when speaking about time. \x26amp;#8220;Time Flies\x26amp;#8221; is sped up, zooming around the clock face like a cartoon. \x26amp;#8220;Let\x26amp;#8217;s Call it a Day\x26amp;#8221; crawls along, ticking off one day at a time. \x26amp;#8220;Just a Minute!\x26amp;#8221; gives the user his day in sixty second chunks.\x22 class=\x22tumblr_photo\x22/\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cb\x3eCliche Clocks: Altered Speed Analog Clocks\x3c/b\x3e\x3c/p\x3e\x0a\x3cp\x3e2008. Personal Project.\x3c/p\x3e\x0a\x3cp\x3eFor this project, the movement speeds of three analog clocks were modified to express cliches people frequently use when speaking about time. \x26#8220;Time Flies\x26#8221; is sped up, zooming around the clock face like a cartoon. \x26#8220;Let\x26#8217;s Call it a Day\x26#8221; crawls along, ticking off one day at a time. \x26#8220;Just a Minute!\x26#8221; gives the user his day in sixty second chunks.\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_photo_post\x22\x3e\x0a \x3cimg src=\x22http://28.media.tumblr.com/tumblr_ku3kewv6x51qzlfa4o1_400.jpg\x22 alt=\x22In Praise of Lights That Clamp\x0a2009. Personal Project.\x0aI have a deep affinity for simple products - the ones that are seemingly incidental or obvious, but are still vital.\x0aThis project is an update of the humble clamp light. The final product is made of cold-blued plasma-cut steel and is finished with a 60W chrome-tipped incandescent\x26nbsp;bulb.\x22 class=\x22tumblr_photo\x22/\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cb\x3eIn Praise of Lights That Clamp\x3c/b\x3e\x3c/p\x3e\x0a\x3cp\x3e2009. Personal Project.\x3c/p\x3e\x0a\x3cp\x3eI have a deep affinity for simple products - the ones that are seemingly incidental or obvious, but are still vital.\x3c/p\x3e\x0a\x3cp\x3eThis project is an update of the humble clamp light. The final product is made of cold-blued plasma-cut steel and is finished with a 60W chrome-tipped incandescent\u00a0bulb.\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_photo_post\x22\x3e\x0a \x3cimg src=\x22http://30.media.tumblr.com/8Kdwromx5qvoqvs8hyrOG9N6o1_400.png\x22 alt=\x22North/South Double EP Packaging\x0aIn collaboration with Michael Gluzman and Georgios Saliaris. For Mingle.\x0aWhen Michael and I spoke with Will about his past\x26nbsp;and present, the summer days\x26nbsp;of his youth in his grandfather\x26rsquo;s\x26nbsp;wood-working shop came up as\x26nbsp;often as the urbanity of his new\x26nbsp;surroundings.\x0aThe resulting design we\x26nbsp;delivered to him is laser-etched\x26nbsp;into burled wood veneer.\x26nbsp;It engages the duality of our\x26nbsp;client\x26rsquo;s journey, pitting digital\x26nbsp;versus physical, process versus\x26nbsp;material, and new versus old.\x0aPhotograph by Michael Gluzman.\x22 class=\x22tumblr_photo\x22/\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cb\x3eNorth/South Double EP Packaging\x3c/b\x3e\x3c/p\x3e\x0a\x3cp\x3eIn collaboration with Michael Gluzman and Georgios Saliaris. For Mingle.\x3c/p\x3e\x0a\x3cp\x3eWhen Michael and I spoke with Will about his past\u00a0and present, the summer days\u00a0of his youth in his grandfather\u2019s\u00a0wood-working shop came up as\u00a0often as the urbanity of his new\u00a0surroundings.\x3c/p\x3e\x0a\x3cp\x3eThe resulting design we\u00a0delivered to him is laser-etched\u00a0into burled wood veneer.\u00a0It engages the duality of our\u00a0client\u2019s journey, pitting digital\u00a0versus physical, process versus\u00a0material, and new versus old.\x3c/p\x3e\x0a\x3cp\x3ePhotograph by Michael Gluzman.\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_photo_post\x22\x3e\x0a \x3cimg src=\x22http://27.media.tumblr.com/8Kdwromx5qvo2n4pNQVURjVBo1_400.jpg\x22 alt=\x22Armchair Media Print Advertisement\x0aIn collaboration with Kevin Byrd. For Armchair.\x0aFor this ad, I lent art direction, arising from experimentation with over-sized laser-cut typography. A video that came out of this period of exploration can be found here.\x0aPhotograph by Kevin Byrd.\x22 class=\x22tumblr_photo\x22/\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cb\x3eArmchair Media Print Advertisement\x3c/b\x3e\x3c/p\x3e\x0a\x3cp\x3eIn collaboration with Kevin Byrd. For Armchair.\x3c/p\x3e\x0a\x3cp\x3eFor this ad, I lent art direction, arising from experimentation with over-sized laser-cut typography. A video that came out of this period of exploration can be found \x3ca href=\x22http://vimeo.com/3779909\x22\x3ehere\x3c/a\x3e.\x3c/p\x3e\x0a\x3cp\x3ePhotograph by Kevin Byrd.\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a \x0a\x0a \x0a \x3cli class=\x22tumblr_post tumblr_photo_post\x22\x3e\x0a \x3cimg src=\x22http://28.media.tumblr.com/8Kdwromx5qvnisuflwJzHdMKo1_400.png\x22 alt=\x22Georgia Tech Architecture Centennial Poster\x0ain collaboration with Stefan Kjartansson, Kevin Byrd, Farbod Kokabi, Raymond Forbes, and\x26nbsp;Ted Ullrich. For Armchair.\x0aThis poster celebrates the 100th anniversary of Georgia Tech\x26rsquo;s College of Architecture. It\x26rsquo;s celebrated with a lecture series by graduates of the College. Under Stefan and Kevin\x26rsquo;s direction at Armchair, I assisted with production of the graphic artwork and typography, and designed and produced the poster\x26rsquo;s \x26lsquo;opening sequence.\x26rsquo;\x0aThe development process of this project was highly collaborative and discursive, focused around the issue of how to visually describe this program\x26rsquo;s 100 year tenure. The client latched on to this concept - 100 circles that refer to the centennial. Each circle is proportional to the graduation class size for each year. The poster was mailed to architecture schools, organizations, and alumni.\x0aPhotographs by Stefan Kjartansson.\x22 class=\x22tumblr_photo\x22/\x3e\x0a \x0a \x0a \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a \x3cp\x3e\x3cb\x3eGeorgia Tech Architecture Centennial Poster\x3c/b\x3e\x3c/p\x3e\x0a\x3cp\x3ein collaboration with Stefan Kjartansson, Kevin Byrd, Farbod Kokabi, Raymond Forbes, and\u00a0Ted Ullrich. For Armchair.\x3c/p\x3e\x0a\x3cp\x3eThis poster celebrates the 100th anniversary of Georgia Tech\u2019s College of Architecture. It\u2019s celebrated with a lecture series by graduates of the College. Under Stefan and Kevin\u2019s direction at Armchair, I assisted with production of the graphic artwork and typography, and designed and produced the poster\u2019s \u2018opening sequence.\u2019\x3c/p\x3e\x0a\x3cp\x3eThe development process of this project was highly collaborative and discursive, focused around the issue of how to visually describe this program\u2019s 100 year tenure. The client latched on to this concept - 100 circles that refer to the centennial. Each circle is proportional to the graduation class size for each year. The poster was mailed to architecture schools, organizations, and alumni.\x3c/p\x3e\x0a\x3cp\x3ePhotographs by Stefan Kjartansson.\x3c/p\x3e\x0a \x3c/div\x3e\x0a \x0a \x3c/li\x3e\x0a \x0a\x0a \x0a\x0a \x0a \x0a \x0a \x0a \x0a\x0a \x0a \x0a\x3c/ol\x3e');